Amidst all this nonsense over The Twilight Saga franchise, Warner Bros. does not want you to forget that they're gearing up for one helluva two-part finale when it comes to their just-as-popular Harry Potter franchise. The first official image from Harry Potter and The Deathly Hallows: Part 1 has arrived online courtesy of USA Today, and right off the bat we have our three franchise heroes, Daniel Radcliffe (as Harry), Emma Watson (as Hermione) and Rupert Grint (as Ron). They look sort of determined in that image -- as if they're about to lay the wizardry smackdown on some unlucky evil soul.

Director David Yates tells USA Today, "It's going to feel very real. We're going for a vérité approach. Being away from Hogwarts, they're like these three refugees on the run. They're out in the big bad world, facing real danger, unguarded by those wonderful benign wizards at Hogwarts. They don't have a home to go to. We're kind of pulling away from the magic a bit and bringing more reality to it." The first installment, which hits theaters on November 19th, 2010, find our heroes dropping out of school and roaming the streets of London in search of Voldemort's remaining three Horcruxes. Says Grint, "They're paranoid. It's quite a scary world because the Snatchers and Death Eaters are running around everywhere. Harry, Ron and Hermione are just camping out in random places, living rough, in regular clothes."

Sounds pretty badass. I like the sound of a grittier, real-world Potter film -- how come they didn't get Michael Mann to shoot this one? Watch it when it drops in November; meanwhile the second (and final) installment will arrive in 2011.

I have a personal kink when it comes to a good old fashioned fairy tale subversion. I can't explain it, but there's just something about messing with those classic tales that never fails to amuse me -- so you can see why I have a soft spot for the Shrek franchise. News of a fourth film first hit back in 2007 and now USA Today gives us our first look at the fairy tale comedy, as well as (good?) news that the fourth installment of the franchise, Shrek Forever After, will be the last (and as much as I liked the first two films, I'll admit that by the time we had reached Shrek the Third, the charm was wearing a little thin).

Bill Damaschke, head of creative production at DreamWorks and Mike Mitchell (Sky High) gave some hints as to what we should expect from Shrek Forever After, and according to Mitchell, this time Shrek is feeling out of touch with his inner ogre, so he strikes up a deal with Rumplestiltskin (voiced by Walt Dohrn) to change his life. But things don't work out as planned and Shrek finds out that life in Far Far Away has changed for the worse in his absence. Franchise favorites Puss in Boots (voiced by Antonio Banderas) and Donkey (Eddie Murphy) will return and some of the new additions to the cast are Kathy Griffin and Kristin Schaal (Flight of the Conchords) as witches and part time Ogre hunters, and Mad Men's Jon Hamm as the leader of the ogre underground.

Cinematical has just received six exclusive new images from Did You Hear About the Morgans?, starring Hugh Grant and Sarah Jessica Parker as a New York Couple on the verge of divorce who witness a murder and, in an attempt to salvage their marriage (and save their lives), they join the witness protection program. But that's when things really get interesting, because the program sends our uptight, urban city dwellers all the way to the backwoods of Wyoming -- where the loud, obnoxious sounds of the city are replaced by the soft, calming sounds of nature. Will that be enough to save the marriage, though?

Sam Elliott, Mary Steenburgen and Elisabeth Moss also star in this comedy directed by Marc Lawrence (Forces of Nature, Miss Congeniality), who last worked with Grant on the charming Music and Lyrics. Will Grant's pairing with Sarah Jessica Parker work just as well as his on-screen pairing with Drew Barrymore did? I think maybe ... Head after the jump to check out the film's latest trailer, and click into the gallery below for the rest of the images. Did You Hear About the Morgans? hits theaters on December 18th ... just in time to give you folks who aren't in the mood for James Cameron's big flashy blue alien movie a little piece of comedic hilarity.

Cinematical has just received this sexy new poster for the upcoming movie-musical Nine, directed by Rob Marshall (Chicago), and starring ... well, who isn't starring in this film? We've got the sensational, bound-to-be-nominated-for-Best-Actor-again Daniel Day-Lewis, followed by a plethora of gorgeous female co-stars like Nicole Kidman, Penélope Cruz, Kate Hudson, Marion Cotillard, Judi Dench and Sophia Loren.

Based on the popular Broadway show, Nine follows a famous film director named Guido Contini (Day-Lewis) who's struggling to juggle all of the different dysfunctional personal and professional relationships in his life. You'd be hard-pressed to find an Oscar-related list that doesn't already include Nine as a shoe-in for multiple nominations, including Best Picture. Early reviews are already touting it as a must-see, and I can kinda see why -- this poster alone gives us at least five reasons right off the bat.

Nine is set to roll out into theaters in limited release on December 18th and nationwide on December 25th. Click on the image below to view the full poster, then head after the jump to watch the film's trailers.

I love image editors like Photoshop. They've allowed me to make boring pictures funky, wipe the years off old and worn memories, and even get rid of the errant hair or blemish to make that nice photo truly shine. But I would give it all up and wipe my hands of them if it meant that the programs would be pulled out of the hands of Hollywood and the image-fixing machine.

We're getting bombarded by all sides. It's bad enough that lazy frakking poster creators actually shovel out horse poop like the embarrassingly terrible poster for The Takers, one that doesn't even bother trying to match the skin tones of the stars' heads with the stunt bodies, or thinks Paul Walker has massive Science of Sleep-like hands.

But we're also getting a never-ending onslaught of body de-hancements. I really can think of no better word for the folks like Ralph Lauren who are Photoshopping their models into sick, skeletal bodies. Adding to the pack is W Magazine, as BoingBoing shares. They scored an interview with Demi Moore and threw her up on the cover. While she may have discussed her dislike of being called a cougar, methinks she'd have more of an issue with what they did to her body. She's already ridiculously thin, but still, they edit. It looks like they tried to give her an "hourglass" shape (I use that term begrudgingly because it really doesn't apply when we're talking about skinny women who are Photoshopped to look curvy.), but worst of all -- they wiped out part of her already pencil-thin legs and were too lazy to make sure it matched. You can see part in the image above, look at the hip on the right, or in its full glory after the jump.

New York's Museum of Modern Art is hosting a retrospective for Tim Burton that spans the artist's career so far, from doodles on paper, Polaroids, sketches, full-blown paintings, sculptures, and, of course, movies. The MoMA will be showing 14 of his films, and Burton himself curated a collection of films that inspired him, aptly titled "The Lurid Beauty of Monsters." Burton was on hand to talk to the press, comparing his joy at the show to "an out-of-body experience." He said, "In my life, I've had many surreal, great things happen -- meeting my idol, Vincent Price; being able to make movies; and this one, I think, tops it in the sense that it's the most amazing and surreal, and that's what you look for in life, is these great and incredible [experiences]."

The MoMA's Ron Magliozzi, Assistant Curator, and Jenny He, Curatorial Assistant, Department of Film, worked feverishly to uncover work from the artist's 27-year career, even touring his house to find art for the show. Burton also created seven new statues for the exhibit.

The show opens November 22nd and ends April 26th, 2010. You can see a selection of the art on display in the gallery below.

Cinematical: What's the most personal piece in the collection for you?

Tim Burton: Well, it could be any of a number because I noticed the ones that freaked me out so much that I can't look at, which is a lot of it, I think it's a lot of that early stuff. Stuff that I didn't even know I had. I don't even know where they found some of that really early stuff. 'Cause it's, as they [Ron Magliozzi and Jenny He] pointed out, it was all just kind of personal and private, so there's a lot of that in there. Mainly, the early stuff, I'd say. Stuff that – I don't know where you actually found stuff that I actually got decent grades on! Because I don't remember that at all! [Laughs]

Now that Pixar's Up has officially landed on DVD and Blu-ray, artist Paul Conrad has posted a bunch of the concept art from the film that he worked on, like the above image (which I pieced together) that includes the original digital photo that inspired "Paradise Falls" alongside the faux magazine article that Ellie first thumb-tacks in their living room. Some interesting tidbits we learn from Conrad's blog:

• According to one image, Paradise Falls was at one point called Angel Falls.
• Initially, 185 Wilderness Explorer Merit Badges were created for Russell, though they only used 47 in the film (see all 185 over at Conrad's site).
• The bird's name was originally Gary, and then later changed to Kevin.
• Additionally, several soda cap badges were also created eventually leading to the single Grape Soda cap that young Ellie pins on young Carl (see all the soda cap designs over at Conrad's site).

There's also tons more over on the site, including concept sketches for the airlines tickets, collectibles in Carl's living room, sketches for the map of South America, a jet stream image that Russell was to show Carl in the film, and a story about the mailbox hand prints. Check out a couple more below and the rest over at Conrad's site.

Jason Reitman, whose next film Up in the Air comes out on December 4th, posted a very funny image on Twitter recently – a pie chart detailing the different things that people have asked him in recent interviews. The top three were about George Clooney (111 people), the economy (96 people), and his next project (78 people). The fourth is a little more confusing, as it just reads "Real People," so apparently 77 people asked him about real people. Maybe they wanted to know if the people being laid off in the movie were real people? Who's to say what goes through the murky depths of the mind of a journalist?



I humbly ask Jason Reitman to make a pie chart of his answers. Here's what I picture it to look like.

111 people: "Clooney is such a prankster! But he's also a great serious actor. He's the Cary Grant of our times. Sometimes we have moustache contests."

96 people: "The economy sucks. Seriously though, I've never been laid off, but if I had to be laid off, I'd hope George Clooney would do it."

78 people: "My next project will be with George Clooney. Actually, it will be catching up on all the sleep I lost talking to you people and answering the same damn questions over and over again."

In one jpeg, Reitman manages to sum up the exhausting paces that filmmakers, actors, musicians, et al are put through to get their names and faces and projects out there, the laziness of some journalists, and the terror that faces every journalist that wants to be good at what they do and engender an interesting discussion that is hopefully pleasant and/or illuminating (but at the very least not boring) for everyone involved, including the reader.

If you could ask Jason Reitman anything, what would it be?

In the '90s, I adored exactly three parts of Hollywood: alternative music flicks like Pump Up the Volume and Empire Records, Gregg Araki, and David Lynch. The first always bled into the other two, Araki partaking in the musical joys of bands like The Jesus & Mary Chain and New Order, and Badalamenti creating his own unique world of music. But now the other two are combining. Sort of.

Remember how I posted a month ago about Araki's new film, Kaboom? Well, some images have finally popped up over at Quiet Earth, including the confused-faced Thomas Dekker above. There are also shots of Dekker in bed, and some looks of exasperation, but that's not the kicker -- it's the synopsis, which kicks off with "A hyper-stylized TWIN PEAKS for the Coachella Generation..." Yes, Araki's getting into a little small-town quirk.

Building on that whole all-too-brief sexual awakening description from last month, the movie is "a wild and sex-drenched horror-comedy thriller" about an ambisexual college freshman who trips on "some hallucinogenic cookies" and is "convinced he's witnessed the gruesome murder of an enigmatic Red Haired Girl who has been haunting his dreams." Is the girl in a room with a black and white floor and thick, red curtains?

What do you think about the idea of Araki getting a little Lynchian?

When one thinks of great art, there's often the expectation of carefully prepared canvasses, lush materials, and skilled, complex detail. But it doesn't always take a horde of materials to make something impressive -- sometimes all it takes is a little plastic and some brown packing tape. CNN reports that Philly artist Mark Khaisman is taking these seemingly mundane materials and turning them into a series of scenes from Hitchcock films (The 39 Steps and Spellbound) plus a number of glimpses into Samuel Fuller's Pickup on South Street. The image above -- that's Spellbound. (The rest are housed in a gallery at CNN.)

This is nothing more than clear plastic panels and brown, translucent tape. Looking at the shirt -- it's fathomable -- a series of strips that, when laid on top of each other, creates areas of light and shadow. But look at the faces, and most especially, the hair. This isn't just a stained glass-like mosaic -- the artist is a former stained glass designer -- there's tone and depth in each piece. Texture.

Props and posters might be cool, but imagine walking into a home theater with a piece like this glowing on the wall. Forget movie ads. I'll take some packing tape art any day.